Review
Amazon.com
Since his first appearance in 1992's Edgar-winning The Black Echo, Detective Hieronymous "Harry" Bosch has joined Dennis Lehane's Patrick and Angie, George Pelecanos's Derek Strange, and Greg Rucka's Atticus Kodiak in the pantheon of new-school hard-boiled detectives. Rather than giving Bosch a clever gimmick (like Jeffery Deaver's Lincoln Rhyme, who is a quadriplegic), Michael Connelly embraces the noir archetype: Bosch, an L.A. homicide detective, is a chain-smoking loner who refuses to play by his superiors' rules. Although he has quit smoking, Harry's still the same tightlipped outsider, taking each crime as a personal affront as he tries to cleanse his beloved city of the darkness he sees engulfing it.
In City of Bones, Connelly's eighth Bosch title, Bosch and his well-dressed partner, Jerry Edgar, are working to identify a child's skeleton, buried for 20 years in the forest off Hollywood's Wonderland Drive, and to bring the killer to belated justice. For Bosch this is more than just another homicide, as the mystery child, beaten and abandoned, comes to represent much of what he sees as evil in his city. Add in a tragic love affair with a fellow cop, complications from overzealous media, and the growing feeling that he's fighting a losing battle about which no one cares, and the usually stoic Bosch is pushed to his limits. This isn't the strongest plot Connelly has concocted for Bosch, but it leads to an ending the whole series has been building toward. The conclusion may not shock longtime fans, but it will leave them wondering where the series will go from here. --Benjamin Reese --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Harry Bosch is at the top of his form which is great news for Connelly fans who might have been wondering how much life the dour, haunted LAPD veteran had left in him. His latest adventure is as dark and angst-ridden as any of Bosch's past outings, but it also crackles with energy especially in the details of police procedure and internal politics that animate virtually every page. What other crime writer could make such dramatic use of the fact that the front door of a house trailer swings out rather than in, creating problems for a two-man team of detectives? Who else would create to such credible narrative effect an egotistic celebrity coroner who jeopardizes an investigation because she lets a TV camera crew from Court TV follow her around, or an overage female rookie cop so in love with danger that she commits an unthinkable act? When the bones of an abused 12-year-old boy who disappeared in 1980 turn up in the woods above Hollywood (near a street named Wonderland, where former governor Jerry Brown used to live), the case stirs up Bosch's memories of his own troubled childhood. Also, as his captain so aptly points out, Harry is the LAPD's prime "shit magnet," an investigator who attracts muck and trouble wherever he goes. So it's no great surprise when the investigation takes a couple of nasty turns, right up through the last chapter. Connelly is such a careful, quiet writer that he can slow down the story to sketch in some relatively minor characters a retired doctor, a couple who lived through their foster children without missing a beat. (One-day laydown Apr. 16)Forecast: Connelly doesn't need much help in hitting the charts, but Little, Brown is going all out anyway, with a massive television, radio and print ad campaign, transit ads in New York and a 10-city author tour. Expect blockbuster sales and blockbuster satisfaction.
Copyright 2002 Cahners Business Information, Inc
From Library Journal
The trouble with Harry: wrapped up in a fresh new love affair and a case involving the scattered bones of a long-dead child, he finds that he must make a momentous decision.
Copyright 2001 Reed Business Information, Inc.
From AudioFile
Tracking the twenty-year-old murder of a young boy, Bosch follows the faintest trail of clues. Len Cariou presents L.A. police detectives with gruff and world-weary demeanors. It's a little disconcerting when Harry Bosch takes up with a rookie cop, and she sounds like a squad room regular; but for the most part the characters have distinct vocal parts. Cariou presents the many details and frustrations of police work with understanding, holding the listener's attention through the case's unexpected twists. R.F.W. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Booklist
*Starred Review* "Child cases haunted you. They hollowed you out and scarred you. There was no bulletproof vest thick enough to stop you from being pierced." LAPD detective Harry Bosch gets pierced in the worst way this time. After a doctor out walking his dog in Laurel Canyon finds a human bone, forensic anthropologists unearth the rest of the skeleton and piece together part of the story: a 12-year-old boy was murdered around 1980 after being viciously abused for most of his brief life. Bosch picks up the trail, identifying the boy but encountering both investigatory and bureaucratic roadblocks as he attempts to close in on a suspect. Meanwhile, Bosch strikes up a romance with a rookie cop--against department regulations--and quickly finds himself in the midst of a personal and professional crisis. It doesn't help that, as he learns more about the dead boy, he keeps hearing echoes from his own troubled past. After spinning his wheels just a bit in his last two novels, Connelly regains his stride here. Like Ian Rankin's John Rebus, Bosch never stops feeling the bruises he has acquired through multiple encounters with evil. His view of the world darkens with each case, and he feels more and more powerless: "True evil could never be taken out of the world. At best he was wading into the dark waters of the abyss with two leaking buckets in his hands." Harry wanders deeper into that abyss this time than ever before, and it drives him to a shocking decision that will leave series fans reeling. Hard-boiled cop fiction at its most gripping. Bill Ott
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